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Textures from Tenby

Signs, sense, and significance: Texture in Tenby

The lady at the fish stall exudes smiles with a Welsh twang and a sincere joy. The man on the bench is having a great day as he tells us he’s awaiting a friend he hasn’t seen for a while.

I’m in southwest Wales listening to a Scottish accordionist playing a contemporary Russian tune on an old Italian accordion. Earlier, as I looked out over Carmarthen Bay, I listened to an Irish singer from thirty years ago singing… “All my life I’ve watched the sky and sea change colour…”

As you may know, I’m a contemplative. It’s not a helpful trait. I’ve been aware of the ‘paralysis of analysis’ since I started de- & re-constructing things in the 1990s. But it’s what I do. I can’t help noticing stuff.

A bit like a magpie or bowerbird, I’m one of those people who have shelves of small trinkets or curiosities collected along the way: a pebble with a pattern from Polruan, a plastic toy character from 1982, a coin from Ecuador, a conker, a badge, a silver something…

The things I register, inscribe, capture, are just that, emblems of moments. The photos I take are frozen fragments of moments.

However, what often strikes me is that the things I capture lack life or spirit. Taken out of context, they lack the breath, the respiration, of people. The viewer might imbue an image with meaning, but that’s from the reader’s perspective. A year before I was born, Roland Barth declared the ‘birth of the viewer’, ah, polyphonic play! Jacques Derrida suggested everything is textured. ‘Il n’y a pas de hors-texte.’ There is nothing outside the text, every thing, object, or event is caught up in an endless fabric of texture.

Images may whisper things and hint at a notion or feeling, but the humanity of the fish lady and the excitement of the man on the bench, that’s something you can’t capture or collect without human presence. Perhaps that’s what I am searching for, human presence.

William Blake poetically wrote, ‘Joy and woe are woven fine, a clothing for the soul divine’

The fabric of life might be made up of warp and weft; smooth and rough textures, bindings and frayings. The textures from Tenby might be just that, ‘textures’. But the fish lady’s smile and the man’s excitement are so much more alive!

Textures from Tenby:

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October Graphic Repro

Another little Graphic Repro update.

Just looking at my counters, I’ve clocked roughly 4 million printer-impressions in the last year.

From cake-toppers to wall-wraps.

As well as bulk reproduction, we create department-specific graphics and resources; signage, certificates, posters, cards, worksheets, passes, stickers, etc.

We aim to please – looks like we occasionally succeed: 

A little thank you from a satisfied colleague

Here’s a few large format and a few small format projects produced over the autumn term.

We’re still aiming to inspire scholars and reinforce values. Encouraging, exciting, inspiring… graphic repro(duction)…

We create and maintain a consistent design identity and style, echoing graphic devices across all materials, and adding value to material created.

Staff recently shared ‘poems’ relaying where they ‘come from’. The school ‘we come from’ has been displayed on a frame and featured in corridor areas of the school – see below.

As I’ve shared before, we consistently aim to embody ‘belonging’ in all of our resources:

Belonging; identity, community and culture.  
Identity: uniformity in design across materials maintains a professionalism.
Community: consistent, appealing, memorable design fosters trust and credibility.
Culture: visual familiarity can generate a deeper connection and improve teamship.

‘Image Creation‘ It’s what I do…

Our Reprographics Department supports teaching and learning through the timely provision of a variety of printed resources and graphic design: High volume colour & mono printing. Integral folding and stapling of worksheets, booklets, pamphlets etc. Creation and production of labels, stickers, postcards, flyers, certificates, posters.

Teaching and learning time is valuable, teachers and support staff at the frontline of secondary school education are well aware that their own time is also valuable. Our department is here to create and produce requested printed resources, making more preparation and teaching time for staff.

Mindful of good service, a timely response to print requests is just part of the value we provide. As a reprographics service, we aim to turnaround print requests from all staff, within hours. Juggling numerous requests from multiple staff can be exacting, but scheduling work so we meet required deadlines is an essential part of the service provided. 

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Artificial Artifice

I was recently sent the delightful image below.

See here

After an initial dopamine surge, curiosity crept in. All was not as it seemed, it seems. I love the idea that all is rarely as it seems. Keeps us on our toes.

The seemingly perfect but artificial tree-and-sun image is inspiring, but it’s been crafted that way. Does that take away any of its power? Perhaps.


The possibly original image (See here) is still distinctive, but it does not have the perfection of the tailored image; perhaps it’s more powerful for that. The reality of the natural original leaves space for wonder and ideas, whereas the artificial tailored image has reduced the opportunity for wonder into a finished ideal.

So, is ‘artifice’ good?

The word artificial initially meant ‘made by man, contrived by human skill and labour’ and has evolved to mean ‘anything made in imitation of, or as a substitute for, what is natural.’

I am an ‘artist’. I was an apprentice ‘graphic artist’ before I went to university. At university we had a ball deconstructing and reconstructing art in all its forms. It was a very creative time and great fun. 

Educator and activist César A. Cruz suggests, “Art should comfort the disturbed and disturb the comfortable.”

Good ‘artifice’ should comfort, make you exhale, and/or disturb you, make you inhale. Creating ‘art’ can create joy, wonder, questions, and intrigue.

Perhaps everything ‘online’ is not ‘real’. It’s all imagery, video, words & pictures disseminated by mankind in a digital from. It’s interesting that currently a healthy default response to almost anything ‘online’ is “but is it real?”. And in many cases it’s realised to be artificial, or called fake. Is its value then reduced (though its work has been done)?

I suggested in my last post, I suggested that the scintillations, the glimmers of meaning from our everyday organic lives, are far more real than the chaos of noise from our digital meta-worlds. I think our breath might be more invigorating than our mechanics?

So we have the artificial and the natural… I love good art, I love ‘nature’… who wins in a fight? I guess we might find out in due course.

Perhaps it may be as big a battle as the pastoralists and the agriculturists. That is another story.

Meanwhile, I’m off to make a sandwich from artificial bread, artificial meat products, and cheese.

Now, artifice created by artificial intelligence – that’s another thing entirely. I guess it’s artificial artifice.

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Autumn again…

Every year, our autumn is accompanied by bills. The car insurance, service, and tax all come together, some meek indulgences of summer still need to be paid for… etc.
Keats’ ‘Season of mists and mellow fruitfulness’ comes with a dearth too.

But, as the church bell tolls eleven, and the autumn sun is unseasonably warm, sitting in the garden in a suburb town of Leicester, we are thankful.

Autumn. “We don’t have much, but what we do have is good”, Frank Short. “Count your blessings” Hilda Short.
Two things my grandparents said often that have stuck with me from my formative years. Are they a tad naive? Do they come from a position of relative privilege? …but I still hold them as essentially well- meaning and genuinely lovingly humble.

Is it worth reminiscing and looking at autumns passed… ?

Maybe.

Listening to Steve Chapman’s intriguing ‘ridiculous {TED} talk about a pointless project’ recently,

I’m reminded the idea that perhaps “We are essentially all hairless apes standing on a ball of rock in the infinite emptiness of space, orbiting a billionyear-old everexpanding nuclear explosion that will one day consume everything we know as real. Seeking meaning in a universe that is utterly disinterested in our quest to make sense of this mysterious thing that we call life”

But that’s what I love. The glimmers of meaning everywhere. Meaningless meaning that we construct stories from.

Not the chaos of noise from our digital meta-worlds, but the scintillations, the glimmers from the everyday, the life in our breath.

Just a walk.



Awake.
As Antony De Mello suggested, to “understand the loveliness and the beauty of this thing that we call human existence. …tragically, [many] never get to see {notice} that ‘all is well”.

I remember reading that our perception of time can speed up when life becomes routine and repetitive, and slow down when you encounter novel or stimulating experiences. As Ezra Bayda said, “What happens when we slow down and pay attention? Everything! Innumerable delights are right at hand.”

Doesn’t help pay the bills, but helps to ground you in the now.

Here’s Audrey from our garden.
Here’s Lincoln Cathedral.
And here’s the dog, wanting to play.

Audrey
Lincoln
Balls

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Inspire …

Inspire:  To draw air into the lungs…

Before we go ‘back-to-work’ after a restful? hiatus, let’s pause, and look to inspire. It’s a little thing, but essential… Breath.

The words breath and spirit share a historical connection rooted in the physical reality that breathing defines life. In English, breath comes from Old English brǣþ (odor, scent, or exhalation), while spirit traces back via Old French to the Latin spiritus meaning “breath,” “blowing,” or “courage”, derived from the verb spirare “to breathe”.

Recognising our breath, and the spirit of things.

Let’s inspire.

A few little graphic projects over the summer, aiming to inspire scholars at the start of the new term. Reinforcing values; encouraging, exciting, inspiring… graphic repro(duction)…

Progress, Focus, Team, Better, Proud, Believe, Belong…. #Graphic #Repro

We’ve kitted out the bare changing rooms with some inspiring graphic quotes. And added some engaging wall wraps to the entrances.

We’ve had a world map installed on the walls near our Geography Dept. Remembering Judy Martz notion of course that Geography is everything!

And on another scale, 1500 CMA Planners containing many helpful pages; Maths Number Square, Periodic Table, World Map, CMA Poem, Mood Tracker, Timetable, Calendar, etc. and of course Homework Diary pages.

I believe that providing a graphic repro service to staff and students helps to visualise and reinforce a culture of teamship and belonging.

I did collate a little visual carousel:

  • Reprographics Services

Part of my Design & Reprographics role is to create and maintain a strong visual identity that relays the tones and qualities of our community, while promoting our cultural ambitions and expectations.

We create and maintain a consistent design identity and style, echoing graphic devices across all materials, and adding value to material created. As well as bulk reproduction, we create department-specific graphics and resources; signage, certificates, posters, cards, worksheets, passes, stickers, etc.

Graphic Repro and ‘belonging’: identity, community and culture.  

Identity: uniformity in design across materials maintains a professionalism.

Community: consistent, appealing, memorable design fosters trust and credibility.

Culture: visual familiarity can generate a deeper connection and improve teamship.

It’s what I do… ‘Image Creation‘

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Noise

I found myself writing about noise…

We went away on holiday, an hour inland from the French west coast, and found ourselves near peace, nature, space… for just a few days.
It’s true one man’s heaven is another man’s hell, but it’s also true that heaven can be a place on earth.
Marais Poitevin; a glimpse of a peace, the only sounds, the wind, birds, and goats…
Home-grown tomatoes, French cheese, black pepper, and honey… beer and strawberries.
It’s not polished, it’s not packaged, not in the brochures, just simply there..
We were thankful.

Le Vanneau-Irleau, Marais Poitevin.

Peace? The absence of noise?
“Well what’s noise?” says the wife “I can hear the wind…”
“Clutter…” I say.
No clutter, to hear just the wind, briefly, the breath, the spirit of the moment… without reserve…
“I thought you were reading your book?” she says…
I can’t. There’s too much peace. Pacifique. I think I read books to distract me from the noise. To give a little shape to the chaos. So, I can’t read right now… it’s too quiet.

Marais Poitevin, Le Vanneau-Irleau

However, the silence is accompanied by the ever-present tinnitus. The still waters hide the invasive American crayfish; toppled trees lie as memorials from past storms. And it’s hotter than hell in paradise. I drink another bottle of water after pouring a glug of it over my head.
An orange butterfly flits between the verdant vegetation. An otter breaks the surface and scuttles across the river. A small deer has been standing still as a statue until I see it, and as he realises I’ve seen him, he bounds away. Dragonflies and kingfishers…

‘The noise hides the silence. It does not destroy the silence.‘
Charles de Leusse

The clutterful noise will return, have no doubt. I guess it’s our response to noise that might make the difference.

Three days later we were sat overlooking the sea, pondering the je ne sais quoi of the French joie de vivre. It all just seems a tad more beautiful. The French reply “d’accord” where we might reply “OK”, the local way seems just a little more harmonious. Accord means “agreement”. When used in a musical sense, it means ‘harmony’; chord. I agree, in harmony. Our ‘OK’ seems just to mean ‘OK’.

Saint-Gilles-Croix-de-Vie

Taking time away from our noisy habits and routines can highlight different ways of being. We’re grateful for ‘time out’, to notice ‘rests’ and the spaces between the noise.

True peace is just too big to explain; it’s too small a thing to pinpoint and fully grasp.

As is so often the case, we return again to Mr Keats;

Heard melodies are sweet, but those unheard
    Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear’d,
    Pipe to the spirit ditties of no tone…
“Beauty is truth, truth beauty,”—that is all
        Ye know on earth, and all ye need to know.

Bruit
‘Le bruit cache le silence. – Il ne détruit le silence.’
Charles de Leusse
‘The noise hides the silence. It does not destroy the silence. ‘


Très bon café
Un jour parfait.



************************************
On another note, some noise:

To cut a long story short;
We have had a great time in France; countryside, coast and city. But halfway through, the car broke down. Taken away by breakdown service. Over two days in the planned hotel, we are told by the ‘Breakdown Agent’ that the car will not be fixed by the time we planned to return on the ferry. Hire car provided. But still, no, the car will not be fixed in time. Anxious few days, discussions with ‘breakdown agent’ about leaving car in France, repatriation(?), returning by train to collect car at a later date! LOL! Taxi to Caen and foot passenger with significant luggage on ferry, train from Portsmouth to Leicester… brain was in clutterville! To say the least.
Up steps one of the nicest blokes I’ve had the pleasure to meet. A French friend that we know lived nearby. I phoned him. “Ne vous inquiétez pas!” he assures us we’ll sort it. Somehow?
The breakdown agent still repeatedly says the car will be fixed in 8 days; we travel back in 3 days. In short, we travel to the car at the garage with our friend to empty it for a taxi return home. Our friend has a 15-minute mediation to explain the complications of the 8-day delay. They say we’ll see what they can do, but can’t promise anything. On the day of our planned return, we plan to sleep over at friends, rebook a new ferry, etc, hoping that 8 days become 3…
Friend calls the garage. Against all expectations and odds, they have fixed the car.
Oh la la!!!. We drive to Caen!
We can’t thank our friend enough for the calm, friendly, beautiful way he helped us in our time of need. Belle humanité!
That’s the short version!

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Harmony on 103 The Eye…

I’ve said before, it’s not all about the performance…

It’s about the act of singing, together.

This Sunday morning I had an opportunity to talk about Global Harmony Choir on a local radio station 103 The Eye in Melton Mowbray.

Sincere thanks to Steve, Patrick. and Christine, at 103 The Eye radio. You can listen to my attempt at summarising the joys of the choir here:

Radio Interview on 103 The Eye Melton, with Steve Kent

And if you’re free, Global Harmony, has a concert, this Friday 26th June in Melton!

But, it’s not all about the performance; it’s about the act of singing together. The whole thing’s bigger than the sum of its parts. Singing with these fine folk is a privilege.

Global Harmony choir sings a dynamic variety of world music in a fun, friendly, informal environment; songs that celebrate diverse cultures and the joy of singing. Exciting rhythms of Africa, stirring Eastern European harmonies, songs from around the world. More here: www.globalharmony.org.uk

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New tyres after 10,000 miles

So my tyres have given up after ~10,000 miles! That’s a tad over their expected ~5000 miles estimate. But take a look, I have ridden them to the limit!

The Schwalbe Road Cruiser Plus lists as “a highly durable, eco-friendly commuter and hybrid tyre”

  • Green Compound, uses renewable and recycled raw materials without compromising on quality
  • Puncture Protection: Features a 3 mm thick TwinSkin: An additional rubber coating on the sidewalls to protect against unsightly cuts.
  • They are lighter, and cheaper, than the top of the range Marathon Plus.

These tyres have lasted me 3.3years – that’s almost 10,000 miles.

New shoes…

Schwalbe Road Cruiser Plus

I ride 75 miles a week. 41 weeks/year, that’s ~3000miles/year. My cycle.

It’s worth mentioning that for the last few years, I have used Tannus Armour inside my tyres. They have served me very well. Only one puncture in 2 years, from an award-winning shard of glass. The Armour will be refitted inside my new tyres.

Read about my past experience here Tannus 

So new shoes for the bike. Onwards!

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A butterfly

Simple idea found here: Butterfly Business Card

A little engaging tactile thought reinforcement for our Intervention Hub Scholars:

I’ve said it before; ReproGraphics

Repro; copying and reproduction of documents and printed material.

Graphics; creating imagery and visual material to communicate significance. 

It’s more than just repro…

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Reduce reprographics costs.

It may seem like common sense, but as Voltaire pointed out, ‘common sense is often rare’.

As posted back in 2019, on average, a person consumes more than 4 trees per year.

economist.com: I’m a lumberjack

Get more for your budget!

Print is important. The format of what we print is important. How it’s graphically designed and reproduced can add value (BPIF Stats).

However, over time, print costs to large organisations can be significant.

In a large organisation, if we all just printed a tad more thoughtfully, we could save thousands over a year.

Print in black & white. 

Printing in colour costs ~10 times that of printing in mono.

If 100 colour clicks = £10*, then 100 mono clicks = ~£1
(plus the cost of paper etc)

If you need a bit of bling, then mono print on coloured paper is still cheaper than colour print.

Print smaller, half your costs!

Printing your page as two pages per A4 page, or an A5 booklet can reduce paper and print costs even further!
For example, print as multiple pages/slides per page if possible. Just ask for it as two or even four per A4 page, or an A5 booklet.

If 100 A4 clicks = £10* then 50 A4 clicks (2 per page) = £5
(plus the cost of paper etc)

Try to think about costs. Where possible, make it mono and seek to use paper economically.

*Any prices shown are just for illustration.

Another thing worth considering…

A4 rather than A3 paper.

A pack of A3 paper costs >15% more than two packs of A4 paper**. 

While A3 folded to A4 booklets;

  • are useful to emulate actual exam booklets,
  • can keep work bound better (up to 80pages/sides at a push)

    Arguably,
  • A4 sheets are easier to open/mark for general use, and more importantly cost less.

So, if A4 stapled will be sufficient, please DON’T ask for folded booklets. Is A4 stapled top left, or A4 two-stapled sufficient?
(Remember, folded booklets need to be a multiple of 4 pages, 10 pages as a booklet, has 2 blank sides.)

The costs do mount up over time.

A ream of A3 paper costs significantly more than two reams of A4.


**Market Demand: Because A4 is the standard size for everyday printing, it is mass-produced at higher volumes. A3 is used less frequently, meaning economies of scale slightly favour A4 pricing when purchasing in bulk. Suppliers purchase such large quantities of A4 from the mill, negotiating substantially better pricing, spreading costs across a larger volume of stock. A3 demand is much lower, the mill does not achieve the same production efficiencies, and suppliers don’t have such purchasing power. So, unit cost for A3 remains noticeably higher.

*Any prices shown are just for illustration.